Бегларян Ева — различия между версиями

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| дата рождения        = 22.07.1958  
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| место рождения      = Анн-Арбор, штат Мичиган, США
 
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| краткая информация = Современный американский композитор, исполнитель и аудио производитель армянского происхождения
 
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=Биография=
 
=Биография=
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"One of new music's truly free spirits,"* and a "remarkable experimentalist,"** Eve Beglarian  Ева Бегларян is a composer, performer, and audio producer whose music has been described as "an eclectic and wide-open series of enticements."***
+
Ее музыка часто характеризуется как postminimalist.  
  
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Her chamber and orchestral music has been commissioned and performed by the Bang on a Can All-Stars, the California EAR Unit, Rel?che, the Paul Dresher Ensemble, the American Composers Orchestra, Sequitur, Dinosaur Annex, and the Robin Cox Ensemble, among many others.  
+
Ее камерная, хоровая и оркестровая музыка широко исполнялась в Лос-Анджелесе Master Chorale, Bang On A Can All-Stars, Общество камерной музыки Линкольн-центра, The California EAR группы, оркестра Св. Луки, relâche, Поль Дрешер ансамбль Sequitur и Оркестр американских композиторов, среди многих других.
  
−
Her experience in music theater includes music for Mabou Mines' Obie-winning Dollhouse, Animal Magnetism, and Ecco Porco, directed by Lee Breuer; the collaboration Hildegurls' Ordo Virtutum, directed by Grethe Barrett Holby, which premiered at the Lincoln Center Festival; Forgiveness, a collaboration with Chen Shi-Zheng and Noh master Akira Matsui; and the China National Beijing Opera Theater's production of The Bacchae, also directed by Chen Shi-Zheng.
+
==Список работ (выборочно)==
 +
*NIGHT PSALM (2009) solo piano (8')
 +
*FROM WITHIN AND OUTSIDE A BRIGHT ROOM (2008) voices, percussion, electronics (60')
 +
*MACHAUT IN THE MACHINE AGE VI: LIEMENT ME DEPORT (2008) chorus and harmonicas (3')
 +
*THE MAN IN THE BLACK SUIT (opera-in-progress) singers, chorus, strings, gtrs, electronics (90')
 +
*SANG (2007) mixed chorus, santur, percussion (28')
 +
*OSCULATI FOURNITURE (2007) voice (or other instrument) and pre-recorded setars (4')
 +
*IT HAPPENS LIKE THIS (2006) spoken voice and cello (4')
 +
*I WILL NOT BE SAD IN THIS WORLD (2006) flute and electronics (7')
 +
*MAKING HEY (2006) spoken voice, bass, piano, percussion (7')
 +
*ATQUE SEMPER (2006) flute, horn, guitar, bass, piano (5')
 +
*I AM WRITING TO YOU FROM A FAR-OFF COUNTRY (2005) cello, voice, electronics, video (39')
 +
*MY HEART IS TREMBLING (2005) solo voice and electronics (1')
 +
*UNTITLED INTERIOR (2005) solo voice and electronics (14')
 +
*MACHAUT IN THE AGE OF MOTOWN (2005) sop sax, cl, vln, bass, bells, vibes, pf, drums (5')
 +
*FlamingO (1995, revised 2004) for three ensembles [chamber orchestra] (16')
 +
*THE STORY OF B (2001-2004) voices, flute, keyboards, bass, electronics (90')
 +
*TAKE YOUR JOY (2004) mixed chorus and electronics (5')
 +
*music for AUTODELETE (2004) voices, electric guitar, sampler, electronics, written for the play by Honour Kane
 +
*WE TWO (2004) voices, guitar, drums, text by Walt Whitman
 +
*DUST (2003) voice and electronics (20'); commissioned by Axis Dance Company with choreographer Victoria Marks
 +
*music for MABOU MINES' DOLLHOUSE (2002-2003) voices, piano, electronics (90'); written for an adaptation of the play by Lee Breuer
 +
*ROBIN REDBREAST (2003) voice, piccolo, electronics (5'); text: Stanley Kunitz, commissioned by Guggenheim Works & Process
 +
*BE/HOLD (2003) electronics (5'); remix of a recitative from Handel's Messiah, commissioned by Canteloupe Records for 2004 release, Messiah Remix
 +
*ALL U GOT 2 DO (2003) B3 organ and electronics with optional violin (5')
 +
*LULLABY (2002) for female voice(s), piano, and optional vibes (4'); text: Janet Lewis
 +
*THE BUS DRIVER DIDN'T CHANGE HIS MIND (2002) cl/bscl, gtr, vc, cb, perc, pf, playback (10'); commissioned by the BOAC People's Commissioning Fund
 +
*music for ECCO PORCO (2001) voices, sampled pipa (12')
 +
*FIVE THINGS (2001) spoken voice, flute, bassoon or baritone sax (5')
 +
*FIRESIDE (2001) piano and spoken voice (5')
 +
*UNTIL IT BLAZES (2001) processed acoustic piano or guitar (6' to 20')
 +
*CAVE (2001) spoken voice, flute, clarinet, violin, cello, perc, pf, tape (6'30")
 +
*ALL WAYS (2001) voice and piano (3'30")
 +
*DO NOT BE CONCERNED (2001) spoken voice and MIDI keyboard
 +
*A BOOK OF DAYS (2001-present) voice, electronic keyboards and optional additional instruments
 +
*THE CONTINUOUS LIFE (2000) for orchestra and pre-recorded sound (15')
 +
*HISTORY LESSONS (2000) music for the film by Barbara Hammer (20')
 +
*ANIMAL MAGNETISM (1997-2000) for voices, violin, reeds, and electronics (90')
 +
*JUST A LITTLE MORE (2000) for voice, two keyboards, and tape (5')
 +
*FORGIVENESS (1998-2000) for voices, pipa, piri, percussion, and electronics (90')
 +
*NOT WORTH (1999) for voice, 2 bass clarinets, viola, cello, bass (3')
 +
*WRITTEN ON THE BODY (1999) for voice, keyboards, and electronics (12')
 +
*OPEN SECRETS (1998) for architectural space, homemade instruments, and toy piano (45')
 +
*AN ELK REVOLT (1998) for electronic tape (7')
 +
*HILDEGURLS, or THE ORDER OF THE VIRTUES (1996; rev. 1998) for four singers and electronics (75')
 +
*NON-JEW (1998) for two spoken voices (20')
 +
*ELF AGAIN (1998) for indeterminate ensemble (5')
 +
*FATHER/DAUGHTER DANCE (1998) for accordion and electronics (12')
 +
*BOY TOY/TOY BOY (1997) for two keyboards and electronics (5'30")
 +
*PLAY NICE (1997) for solo harp, vibraphone, or toy piano (5')
 +
*CREATING THE WORLD (1996) for vln, bsn, guitar, electronic kbd, perc, and drums (12')
 +
*MY FEELINGS NOW (1996) for voice and piano (4')
 +
*WONDER COUNSELOR (1996) for pipe organ and electronics (10')
 +
*music for THE BACCHAE (1996) for male chorus and Chinese instrumental ensemble (50')
 +
*LANDSCAPING FOR PRIVACY (1995) spoken voice & keyboards (7')
 +
*WOLF CHASER (1995) violin, amplified bowed cymbals, and tape (15')
 +
*MACHAUT IN THE MACHINE AGE IV: AY MI! (1995) processed electric chord organ (7')
 +
*HOW I LIKE THAT TIME (1995) violin, two mbiras, and electronic tape (5')
 +
*NO MAN'S LAND (1995) voice, amplified hand drum, two electronic keyboards (10')
 +
*NO. YOU ARE NOT ALONE (1994) voices, keyboard, guitar, bass, drums, electronics (15')
 +
*typOpera (1994) voices and electronics (65')
 +
*THE MARRIAGE OF HEAVEN & HELL (1994) voice, flute, sax, oboe, bsn, viola, cb, pf, perc (14')
 +
*ENOUGH (1993) soprano, piano & bass (5')
 +
*DISAPPEARANCE ACT (1993) sampled percussion & electronics (19')
 +
*MACHAUT IN THE MACHINE AGE II (1993) bass and MIDI percussion (5')
 +
*LUPIE MONTANA'S SHOOTING SCRIPT (1993) a radio-film (20')
 +
*DIVE MARKER (1992) sampled percussion & electronics (15')
 +
*UNDER MY SKIN (1992) percussion & sampled sounds (5')
 +
*PRECIOSILLA (Margaret's Mix 1992) flute and tape (10')
 +
*ELOISE EXTENSIONS (1991) electronic cello & sampled cello sounds (7')
 +
*MACHAUT A GO GO (1991) voice, alto sax, horn, trmb, el. guitar, vc, el.bass, harp & drums (8')
 +
*OVERSTEPPING (1991) sampled voices and electronics (16')
 +
*ELOISE (1990) electronic cello & sampled cello sounds (18')
 +
*MACHAUT IN THE MACHINE AGE I (revised 1990) fl, cl, vln, vc, pf, perc (6')
 +
*GIZMO (1989) sampled voice and electronics (13')
 +
*BORN DANCIN' (1989) electric cello, drum machine & actor (16')
 +
*MIRANDA'S KISS (1988) piano solo (13')
 +
*YOUR FACE HERE (1988) alto sax, piano, voices, & tape (12')
 +
*MAKING SENSE OF IT (1987) fl, cl, vln, vc, pf, perc, & tape (15')
 +
*MAIDEN SONGS: SAPPHO & ALKMAN (1987) voices, barbitos, & cl (60')
 +
*THE GARDEN OF CYRUS (1984-1986) electronic music (20')
 +
*ESCAPE TO THE STARS (1986) electronic music (60')
 +
*MACHAUT IN THE MACHINE AGE I (1986) pf & perc (5')
 +
*GETTING TO KNOW THE WEATHER (1986) solo baritone sax (9')
 +
*MEDEA (1985) seven choral odes (20')
 +
*SPHERICAL MUSIC (1985) twelve marimbas (7')
 +
*A BIG ENOUGH UMBRELLA (1984) viola & tape (12')
 +
*MICHAEL'S SPOON (1984) two horns & tape (7')
  
−
She has worked with choreographers Stephanie Nugent, Victoria Marks, Susan Marshall, Robert La Fosse, Monica Levy, Cydney Wilkes, Ann Carlson, and Hilary Easton.
+
==Дискография==
−
 
+
===Альбомы===
−
Current projects include From A Far-Off Country, a collaboration with cellist Maya Beiser and visual artist Shirin Neshat, which will premiere at Carnegie's Zankel Hall in March 2006; The Libation Bearers, with director Lee Breuer, which will premiere at the 2006 Patras Festival in Greece; EndZone, a dance-theater piece with choreographer David Neumann premiering at Dance Theater Workshop in fall of 2007; The Man in the Black Suit, based on Stephen King's story, with co-librettist and director Grethe Barrett Holby; Re-Thinking Mary, a performance project initiated at the Atlantic Center for the Arts last fall; and A Book of Days, a long-term project of 365 multimedia pieces for live performance as well as internet delivery.
+
*Tell The Birds (2006)
−
 
+
*Overstepping (1998)
−
Recordings of Eve's music are available on CRI Emergency Music, OO Discs, Canteloupe, Accurate Distortion, Atavistic, and Kill Rock Stars. Her latest CD, Tell the Birds, will be released by New World Records in spring 2006.
+
===В сотрудничестве===
−
 
+
*Almost Human (Beiser) - Maya Beiser (2007)
−
==Сочинения==
+
*Dancing in Place - Elizabeth Panzer (1999)
−
 
+
*Play Nice - Twisted Tutu (1999)
−
==Достижения==
+
*Dream Cum Go Down - Eve Beglarian and Juliana Luecking (1995)
 +
===Участие в сборниках===  
 +
*To Have and to Hold (2007)
 +
*60x60 (2004-2005) (2007)
 +
*Messiah Remix (2004)
 +
*Lesbian American Composers (1998)
 +
*Emergency Music (1998)
  
 +
, она начинала как Uptowner с Принстонского Колумбия образование, но затем дезертировал с корабля и начал сочинять музыку ее профессор не мог бы одобрить. Ее подход к музыкальным источникам всеядны. Она сделала коллажи диска, обновил 14-го века композитор Гильом де Машо, сделанные театра штук из бессмысленных Ура Курт Швиттерс '-соната, и цитируют григорианского песнопения вместе со звуками пару имея оргазма. Одна из ее лучших образцов является ничейной территории, шероховатый поэма в Нью-Йорке которого вдумчивого Текст сопровождается выборку звучит как решетка как сам город. Бегларян является удивительно высокотехнологичных выборки художник, и большая часть ее музыки - даже оркестр куски Фламинго - использует блестяще манипулировали предварительно записанных звуков. Она получила два диска: теперь одно соло, и один с клавишником Кэтлин Supove как и ее партнер в дуэте Twisted Туту. - Кайл Ганн
 
==Изображения==
 
==Изображения==
−
 
+
*Дочь композитора [[Гранта Бегларяна]].
 
=Библиография=
 
=Библиография=
 
*http://www.evbvd.com/newsnotes/evbbio.html
 
*http://www.evbvd.com/newsnotes/evbbio.html

Версия 17:32, 5 января 2010

Шаблон:Persont

Дополните информацию о персоне
Бегларян Ева
Beglarian Eve
На английском: Beglarian Eve
Дата рождения: 22.07.1958
Место рождения: Анн-Арбор, штат Мичиган, США
Краткая информация:
Современный американский композитор, исполнитель и аудио производитель армянского происхождения

Биография

Ее музыка часто характеризуется как postminimalist.

Ее камерная, хоровая и оркестровая музыка широко исполнялась в Лос-Анджелесе Master Chorale, Bang On A Can All-Stars, Общество камерной музыки Линкольн-центра, The California EAR группы, оркестра Св. Луки, relâche, Поль Дрешер ансамбль Sequitur и Оркестр американских композиторов, среди многих других.

Список работ (выборочно)

  • NIGHT PSALM (2009) solo piano (8')
  • FROM WITHIN AND OUTSIDE A BRIGHT ROOM (2008) voices, percussion, electronics (60')
  • MACHAUT IN THE MACHINE AGE VI: LIEMENT ME DEPORT (2008) chorus and harmonicas (3')
  • THE MAN IN THE BLACK SUIT (opera-in-progress) singers, chorus, strings, gtrs, electronics (90')
  • SANG (2007) mixed chorus, santur, percussion (28')
  • OSCULATI FOURNITURE (2007) voice (or other instrument) and pre-recorded setars (4')
  • IT HAPPENS LIKE THIS (2006) spoken voice and cello (4')
  • I WILL NOT BE SAD IN THIS WORLD (2006) flute and electronics (7')
  • MAKING HEY (2006) spoken voice, bass, piano, percussion (7')
  • ATQUE SEMPER (2006) flute, horn, guitar, bass, piano (5')
  • I AM WRITING TO YOU FROM A FAR-OFF COUNTRY (2005) cello, voice, electronics, video (39')
  • MY HEART IS TREMBLING (2005) solo voice and electronics (1')
  • UNTITLED INTERIOR (2005) solo voice and electronics (14')
  • MACHAUT IN THE AGE OF MOTOWN (2005) sop sax, cl, vln, bass, bells, vibes, pf, drums (5')
  • FlamingO (1995, revised 2004) for three ensembles [chamber orchestra] (16')
  • THE STORY OF B (2001-2004) voices, flute, keyboards, bass, electronics (90')
  • TAKE YOUR JOY (2004) mixed chorus and electronics (5')
  • music for AUTODELETE (2004) voices, electric guitar, sampler, electronics, written for the play by Honour Kane
  • WE TWO (2004) voices, guitar, drums, text by Walt Whitman
  • DUST (2003) voice and electronics (20'); commissioned by Axis Dance Company with choreographer Victoria Marks
  • music for MABOU MINES' DOLLHOUSE (2002-2003) voices, piano, electronics (90'); written for an adaptation of the play by Lee Breuer
  • ROBIN REDBREAST (2003) voice, piccolo, electronics (5'); text: Stanley Kunitz, commissioned by Guggenheim Works & Process
  • BE/HOLD (2003) electronics (5'); remix of a recitative from Handel's Messiah, commissioned by Canteloupe Records for 2004 release, Messiah Remix
  • ALL U GOT 2 DO (2003) B3 organ and electronics with optional violin (5')
  • LULLABY (2002) for female voice(s), piano, and optional vibes (4'); text: Janet Lewis
  • THE BUS DRIVER DIDN'T CHANGE HIS MIND (2002) cl/bscl, gtr, vc, cb, perc, pf, playback (10'); commissioned by the BOAC People's Commissioning Fund
  • music for ECCO PORCO (2001) voices, sampled pipa (12')
  • FIVE THINGS (2001) spoken voice, flute, bassoon or baritone sax (5')
  • FIRESIDE (2001) piano and spoken voice (5')
  • UNTIL IT BLAZES (2001) processed acoustic piano or guitar (6' to 20')
  • CAVE (2001) spoken voice, flute, clarinet, violin, cello, perc, pf, tape (6'30")
  • ALL WAYS (2001) voice and piano (3'30")
  • DO NOT BE CONCERNED (2001) spoken voice and MIDI keyboard
  • A BOOK OF DAYS (2001-present) voice, electronic keyboards and optional additional instruments
  • THE CONTINUOUS LIFE (2000) for orchestra and pre-recorded sound (15')
  • HISTORY LESSONS (2000) music for the film by Barbara Hammer (20')
  • ANIMAL MAGNETISM (1997-2000) for voices, violin, reeds, and electronics (90')
  • JUST A LITTLE MORE (2000) for voice, two keyboards, and tape (5')
  • FORGIVENESS (1998-2000) for voices, pipa, piri, percussion, and electronics (90')
  • NOT WORTH (1999) for voice, 2 bass clarinets, viola, cello, bass (3')
  • WRITTEN ON THE BODY (1999) for voice, keyboards, and electronics (12')
  • OPEN SECRETS (1998) for architectural space, homemade instruments, and toy piano (45')
  • AN ELK REVOLT (1998) for electronic tape (7')
  • HILDEGURLS, or THE ORDER OF THE VIRTUES (1996; rev. 1998) for four singers and electronics (75')
  • NON-JEW (1998) for two spoken voices (20')
  • ELF AGAIN (1998) for indeterminate ensemble (5')
  • FATHER/DAUGHTER DANCE (1998) for accordion and electronics (12')
  • BOY TOY/TOY BOY (1997) for two keyboards and electronics (5'30")
  • PLAY NICE (1997) for solo harp, vibraphone, or toy piano (5')
  • CREATING THE WORLD (1996) for vln, bsn, guitar, electronic kbd, perc, and drums (12')
  • MY FEELINGS NOW (1996) for voice and piano (4')
  • WONDER COUNSELOR (1996) for pipe organ and electronics (10')
  • music for THE BACCHAE (1996) for male chorus and Chinese instrumental ensemble (50')
  • LANDSCAPING FOR PRIVACY (1995) spoken voice & keyboards (7')
  • WOLF CHASER (1995) violin, amplified bowed cymbals, and tape (15')
  • MACHAUT IN THE MACHINE AGE IV: AY MI! (1995) processed electric chord organ (7')
  • HOW I LIKE THAT TIME (1995) violin, two mbiras, and electronic tape (5')
  • NO MAN'S LAND (1995) voice, amplified hand drum, two electronic keyboards (10')
  • NO. YOU ARE NOT ALONE (1994) voices, keyboard, guitar, bass, drums, electronics (15')
  • typOpera (1994) voices and electronics (65')
  • THE MARRIAGE OF HEAVEN & HELL (1994) voice, flute, sax, oboe, bsn, viola, cb, pf, perc (14')
  • ENOUGH (1993) soprano, piano & bass (5')
  • DISAPPEARANCE ACT (1993) sampled percussion & electronics (19')
  • MACHAUT IN THE MACHINE AGE II (1993) bass and MIDI percussion (5')
  • LUPIE MONTANA'S SHOOTING SCRIPT (1993) a radio-film (20')
  • DIVE MARKER (1992) sampled percussion & electronics (15')
  • UNDER MY SKIN (1992) percussion & sampled sounds (5')
  • PRECIOSILLA (Margaret's Mix 1992) flute and tape (10')
  • ELOISE EXTENSIONS (1991) electronic cello & sampled cello sounds (7')
  • MACHAUT A GO GO (1991) voice, alto sax, horn, trmb, el. guitar, vc, el.bass, harp & drums (8')
  • OVERSTEPPING (1991) sampled voices and electronics (16')
  • ELOISE (1990) electronic cello & sampled cello sounds (18')
  • MACHAUT IN THE MACHINE AGE I (revised 1990) fl, cl, vln, vc, pf, perc (6')
  • GIZMO (1989) sampled voice and electronics (13')
  • BORN DANCIN' (1989) electric cello, drum machine & actor (16')
  • MIRANDA'S KISS (1988) piano solo (13')
  • YOUR FACE HERE (1988) alto sax, piano, voices, & tape (12')
  • MAKING SENSE OF IT (1987) fl, cl, vln, vc, pf, perc, & tape (15')
  • MAIDEN SONGS: SAPPHO & ALKMAN (1987) voices, barbitos, & cl (60')
  • THE GARDEN OF CYRUS (1984-1986) electronic music (20')
  • ESCAPE TO THE STARS (1986) electronic music (60')
  • MACHAUT IN THE MACHINE AGE I (1986) pf & perc (5')
  • GETTING TO KNOW THE WEATHER (1986) solo baritone sax (9')
  • MEDEA (1985) seven choral odes (20')
  • SPHERICAL MUSIC (1985) twelve marimbas (7')
  • A BIG ENOUGH UMBRELLA (1984) viola & tape (12')
  • MICHAEL'S SPOON (1984) two horns & tape (7')

Дискография

Альбомы

  • Tell The Birds (2006)
  • Overstepping (1998)

В сотрудничестве

  • Almost Human (Beiser) - Maya Beiser (2007)
  • Dancing in Place - Elizabeth Panzer (1999)
  • Play Nice - Twisted Tutu (1999)
  • Dream Cum Go Down - Eve Beglarian and Juliana Luecking (1995)

Участие в сборниках

  • To Have and to Hold (2007)
  • 60x60 (2004-2005) (2007)
  • Messiah Remix (2004)
  • Lesbian American Composers (1998)
  • Emergency Music (1998)

, она начинала как Uptowner с Принстонского Колумбия образование, но затем дезертировал с корабля и начал сочинять музыку ее профессор не мог бы одобрить. Ее подход к музыкальным источникам всеядны. Она сделала коллажи диска, обновил 14-го века композитор Гильом де Машо, сделанные театра штук из бессмысленных Ура Курт Швиттерс '-соната, и цитируют григорианского песнопения вместе со звуками пару имея оргазма. Одна из ее лучших образцов является ничейной территории, шероховатый поэма в Нью-Йорке которого вдумчивого Текст сопровождается выборку звучит как решетка как сам город. Бегларян является удивительно высокотехнологичных выборки художник, и большая часть ее музыки - даже оркестр куски Фламинго - использует блестяще манипулировали предварительно записанных звуков. Она получила два диска: теперь одно соло, и один с клавишником Кэтлин Supove как и ее партнер в дуэте Twisted Туту. - Кайл Ганн

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Библиография

Источник — «https://ru.hayazg.info/index.php?title=Бегларян_Ева&oldid=205529»