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| состояние текста = 07| состояние поиска = 07| состояние тэгов = 07| состояние ссылок = 07| флаг чистовик =ё7| портрет =Василян-Ерицян Сирун.jpg| дата рождения =1951| место рождения =Бейрут, Ливан
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=Биография=
Born in LebanonРодилась в Бейруте, Yeretzian received her formal training at the Beirut University, the University of California at Los Angeles, and the Otis/Parsons Art Institute. She has held exhibitions at the UCLA Kerchoff Gallery, the Wilshire Ebell, and the Otis/Parsons Gallery, and last year her work was featured at the J. Paul Getty Museum's Armenian and Iranian art festivalsЛиван в 1951 в году.
Yeretzian's latest paintings and illustrations suggest a terseОбразование: Ваан Текеян начальной школы, often enigmatic discourse across art1954-historical references1962 Tarouhi Акопян средней школы, thematic platforms and design elements. Yeretzian is as comfortable in exploring the limits of formal cross1962-pollination as she is insistent on packing the socially and politically conscious punch: The trauma of the Armenian Genocide continues to ripple through a sober attempt at poeticizing collective grief; images of violence against women1969 Консерватории Ливана, emotional and otherwise1967-1969 годы (вокал обучение) Бейрут Университетский колледж, and in novel guises1973-1974 годы (конструкция) UCLA 1979-1981 Курсы повышения квалификации в изобразительном искусстве Отис / Парсонс художественный институт дизайна, seem to crash on facile notions of legal equality; and the appalling living conditions of the homeless and those struggling on the fringes of the American Dream spawn on vision of the postmodern metropolis as breeding ground for widening strife and contradiction.бакалавр в области изобразительного искусства, 1981-1985
To YeretzianEducation: Vahan Tekeyan Elementary School, 1954-1962Tarouhi Hagopian High School, 1962-1969Conservatoire Du Liban, 1967-1969 (vocal training)Beirut University College, 1973-1974 (fashion design)U.C.L.A. 1979-1981 Extension courses in Fine ArtOtis/Parsons Art Institute of Design, B.A in Fine Art, 1981-1985 ==Выставки== *Artists – Union Armenia “LELA International Art Show” - Armenia - July, 2008*Sacred Memory “Dia de Los Muertos” - Los Angeles is , CA - 2007*National Audubon Society “L.A under the ultimate metaphor Stars” - Los Angeles, CA - June 2005*AGBU “Solo Exhibition” -San Francisco, CA - May 2005*Homenetmen ‘Ararat’ Chapter “16th Anniversary of Aypupen”, - Glendale, CA - 2005*Women’s Caucus for the nomadic experienceArt “Primarily Red” - Los Angeles, CA - 2004*AGBU Young Professionals “Arvest 2003” - Los Angeles, CA - October 2003*Harvest Gallery “International Women’s Day” - Glendale, CA - March 2003*Natural History Museum “LA Festival” - Los Angeles, CA - 2003*Armenia Modern Art Museum “Requiem to Genocide” - Yerevan, 2003*San Francisco Public Library “New Main to New Millenium” -San Francisco, - Aug. As much a fatally magnetic destination for the displaced as an experimentation 2001*Getty Museum “1700 Anniversary of Christianity in multicultural destinyArmenia” -makingLos Angeles, the sprawling city at the extreme edge CA - 2001*Brand Library “Brand 30” – Glendale, CA - January, 2001*Brand Art Gallery “Modern Icon” - Glendale, CA - October 2001*Laguna Niguel 4th Annual Juried Show “Echoes & Visions IV” - Mission Viejo, CA 2001*Century Plaza “L.A. Citywide Public Display Angels” - Los Angeles, CA - 2002*Pacific Design Center “Arvest 2002” - West Hollywood, CA – October, - 2002*Exploratorium “Traits of Art” - San Francisco, CA - September, 2002*Plaza De La Raza “An Afternoon of Community and Art” - September, 2002*J.Paul Getty Museum, “Getty Family Festival” - Los Angeles, CA - 2001*AGBU Boyajian Gallery “Salonne d’Automne” TCA - Pasadena, CA - November 2000*The Second City Council “Beliefs, Faith& Religion” - Long Beach, CA – Nov. 2000*San Bernardino County Museum “Inland Exhibition XXXVI “- San Bernardino, CA 2000*Long Beach Art “Figurative Art” - Long Beach, CA - March 2000*William Still Grants Center “Millenium Exhibition” - Los Angeles, CA - August 1999*L.A. International Biennial “Moving Toward the Western tradition is all about the nightmare made flesh along suburban grid lines and a systemic barrage Millennium” - Los Angeles, CA - 1999*Downey Museum of hypertechnologyArt “Reflections 98” - Downey, CA - October 1998*AGBU Alex Manoogian Center “Solo Exhibition” - Pasadena, CA - 1998*A. Yeretzian's human figuresF.F.M.A. “Women Artists” - Hollywood, CA - September 1997*Manhattan Beach “Arts Festival” - September 1997*The Corridor Gallery of Art “Immigrant Isle Group Show” - Hollywood, often faceless and resembling three dimensional models etched on computer screensCA -1996*St. John’s Armenian Cultural Hall - “Solo Exhibition” - Southfield, find themselves situated in terrifying landscapes MI - April 1996*J. Paul Getty Museum “Book Arts of psychic confusionIsfahan” - Malibu, seething with lonelinessCA - Sept. Man and shadow seem 1995 - January 1996*Barakat Gallery - Beverly Hills, CA - December 1991*Beshgeturian Art Gallery - “Solo Exhibition” - Altadena, CA - April 1991*UCLA Kerchoff Art Gallery - Los Angeles, CA - January 1990*Avedissian Hall “Homage to be the only reliable mutual referencesThe Armenian Women” - Encino, CA. - October 1989*UCLA Kerchoff Art Gallery - Los Angeles, even when among groupsCA - April 1988*Wilshire Ebel - Los Angeles, while a crucified human figureCA - May 1988*Armenian Society of Los Angeles - Los Angeles, with electronic metalCA -andSeptember 1987*OTIS/PARSONS Art Gallery - Los Angeles, CA - June 1985*OTIS/PARSONS Art Gallery -wire gadgets serving as handsLos Angeles, is not a human at all but an android now dismantling the most cherished of myths.CA - June 1983
But Yeretzian goes beyond the narrative, certainly beyond the didactic, to register her critique within the larger project of a spirituality against the tide. This is her way of subverting the slew of social injustices, the violence, cultural serialization and sheer angst of the fin-de-siecle: by both keeping the discontent alive and seeking the signifiers of transcendence behind the field of action, she is busy embracing both as interlocking forces of life affirmation.
Yeretzian's spirituality comes in an amplitude of iconography spanning the very length of world art. She plumbs the depths of Armenian illuminated manuscripts and prehistoric cave paintings, as well as the imagery of the Renaissance masters, as though to snatch swaths of wisdom from the symbol, and then welds the lot into an abstract expressionist impulse that ultimately serves to synthesize and enlighten rather than hawk an eclecticism for its own sake. Perhaps it's this openness to the archetypes and sources of pure form, coupled with an exceptional mastery of color, that gives Yeretzian's art its quality of knowing exuberance. Even in the most intellectually taxing of works, where conglomerations of skulls, forlorn truth seekers and crucified urbanites would, at first sight, exact reactions of impotent melancholy, what in truth takes hold is a sense of esthetic soothing, passionate and many-tiered silence vis-a-vis the violence, that does much to elucidate Yeretzian's own brand of spirituality.
==Сочинения==
==Достижения==
=Библиография=
*Известные персоны Армении // [http://www.persons.am/ru/search.php?category=0*http://www.roslinseeroonart.com/artinfo/artframes/seeroon_vassilian_yeretzian.htmОфициальный сайт Василян-Ерицян Сирун]
